You know, the ocean is great. It’s fantastic.
It’s
wonderful! Without the ocean where would we be?
I’ll tell you, but only because I know a great deal about many
things, and because you are asking nicely.
We would be dry. We wouldn’t
have much of an ecosystem. Dry = dead. Sound depressing? It is. Without
water, we would all die. You, your hot second-cousin Sara, and your great
uncle with the glass eye. Even I would be dead.
Makes you think, doesn’t it? The ocean makes up 70%
of our planet, and it’s the one thing that’s keeping us all
here. Much respect to H2O, both the liquid, and the awesome Hall & Oates
album with the homoerotic cover. The blue stuff gives us life,
and in turn, I give it mad props – and so does DIMP.
So, I think it’s a great thing that DIMP has celebrated my second
favorite beverage by devoting a week to the aquatic art.
But you can’t pack it into a week’s worth of DVD reviews. Jaws, Leviathan and Titanic are
not the culmination of water cinema. Esther Williams is great,
but she still swam through some less than great films. But there are some great
flicks that owe their success to liquid without even really having anything
to do with water itself. As you go through this column, I want
you to think about the scenes I mention, not necessarily the films themselves. Think about the way they shaped the movies, either into something
completely awesome, or just more memorable than they would have
been otherwise.
Without further ado, here are the four GREATEST gifts that the cinematic
waters have bestowed upon is.
MONSTERS FROM BEYOND
MORE THAN SEVERAL FEET DEEP!
The water is a mysterious place. The Challenger Deep is something like
7 miles straight down. What do you think is at the bottom? Hell
if I know, but there is probably all sorts of crazy shit. If
you’re
into reading oceanography logs and science news, you’ll notice
that we find out new stuff about the ocean and its life ALL THE
TIME, and yet there is so very much that is unexplored. When
you think of outer space and the films set there, all the possible
aliens and monsters that are faced might strike you as silly – especially
so, since we haven’t
yet found intelligent extra-terrestrial life forms. Not so in
the water where there are all kinds of monstrous things. There
are sharks that can kill you. There are whales that will jump
through a hoop, let you feed him a fish – and then might kill you.
There are even ancient
fish that surprise us by not being extinct, and LOBSTERS
WITH HAIR! I can’t even imagine what a hairy lobster might
do to me (must… hold back… joke… too easy).
What can outer space do to you? You can only asphyxiate and/or
burn up entering some masses gravitational pull. Outer space is for pussies
and the oceans are for the hard core monsters, and here are some of the
best…
As I mentioned in my review for Leviathan, 1989 was
the year of water horror, and Deep Star Six was one
of the other greats. The monster and gore effects are a lot of
fun, but nothing is more fun than watching Miguel Ferrer try
to escape from their underwater facility too fast, without decompressing
the air, and ultimately generating his own demise. Brilliant! Creepshow
2, while
an anthology of stories, had a great chapter called “The Raft” in
it, horny teens face an oil-slick looking monster that slowly
floats over to them and starts eating them alive a la The Blob.
The monster is emotionless, but the ill-fated teen’s cries of pain
are not. I hesitate to mention shark films, since Jaws so obviously trumps everything in the genre, but Shark Attack 3:
Megalodon should not be missed. It’s got horrible acting
and dialog, but even worse special effects which often feature
stock footage of a shark doubling in for a monster-sized shark
and spliced in death scenes that look like they were created
with MacDraw. This is perfect pizza & a six pack cinema. But if you
are going to only see one or two aqua-monster films, you have
to make them the original Gojira and Creature
from the Black Lagoon. Fellow DIMP writer Cary Christopher and
I took a look at the aquatic pimp’s entire film series, but Gojira (aka Godzilla)
now has a chance to be reexamined by the mass audience now that
the original Japanese version is available uncut in the States.
Watch as Godzilla rises up out of the ocean and decimates Tokyo
Bay. Sure it’s
more of a nuclear era warning, but it’s a monster movie religious
experience with an unsettling ending and one that everyone needs
to experience.
SUBMARINES AND SABOTAGE!
When men (usually just men) get trapped together on a submarine in
a movie, chances are there is going to be some kind of mutiny attempted.
If you’re really lucky you’ll get to see other characters
breaking down to some degree of psychosis simply because they haven’t
been laid in a long time, or the food is for shit, or the fact that usually
these types of movies have too long a running time. But I can’t
help but fall in love with these films because they usually make interesting
character pieces or have craptacular dumb action. Either way, I’m
rarely disappointed. It doesn’t need to be on a sub either. Ships
and even small boats are enough to drive people to the brink of insanity
which has often made for some of the greatest suspense films that have
ever existed.
If you ever get a chance, the full 762-hour version of Das
Boot is worth watching and I’m sure that submarines haven’t
been done as realistically before or after that. For on-the-water suspense,
both the original and remake of Cape Fear are incredible,
with the remake deserving special attention due to its fantastic direction
by Martin Scorsese - See both if you can. Don’t forget Lifeboat from
Alfred Hitchcock, the true “Master of Suspense.” Imagine
being stranded in a lifeboat lost at sea. Then imagine picking up another
passenger. You would be thrilled to see him right? Not if he’s
the goddamned Nazi captain that stuck you on that floating tombstone,
you wouldn’t. This is a lesser known film in Hitchcock’s
catalogue and worth every minute of your time. If you are in the mood
for some really dumb fun, then nothing beats a half-asleep screening
of the Steven Segal epic Under Siege in which be plays
Casey Ryback, a cook who just so happens to be an ex-Navy SEAL and uses
his skills to kick ass to save an entire battleship from falling to
terrorists. If anyone does a poll to see which cook could kick your
ass the hardest, Casey Ryback would rank second only to Giada De Laurentiis.
For what it’s worth though, I think the best water-based espionage
film ever made has got to be Thunderball, the fourth
James Bond film. The film has some of the greatest underwater sequences,
especially action sequences, ever shot. So impressive were these sequences
that the film was awarded the Best Special Effects Academy Award, and
they remain a treat to watch to this day.
CRAZY WEIRD SHIT!
Going back to the mystery of the sea, there are many things that are
just curiously odd about some movies. They aren’t bad, and they
should be experienced, but they certainly exist in a state of fantasy
that either toy with your mind in a playful way or just make you have
your fill of “did I just see that?” moments.
The Life Aquatic is an example of one such film. Here’s
a film – worthy of a much longer review – which gives realistic
emotions an examination through a very funny camera eye. The fate
of Ned (Owen Wilson) actually touched me emotionally while the events
surrounding it couldn’t be more humorous. Equally disturbing is
some minor sequences in non-water based films. There are penguins with
torpedoes on their back hopping into sewer water in Batman Returns,
and Snake Plissken ridiculously CGI-surfs down Hollywood in Escape
From L.A. But for as lauded critically as it is, Star
Trek IV: The Voyage Home has some of the greatest PSA-disguised-as-entertainment
moments in cinematic history. The thought of future people in present
day is always a fun idea, but the idea of sending them back to California
circa 1986 to “Save the Whales?” Fuck me raw for watching
this repeatedly throughout my youth, but I hope there’s a special
place in Hell for whoever approved all the Greenpeace bullshitery.
HOT BABES LOOKING
HOT!
I can’t lie, hot chicks make me happy. I love seeing them, and
while I love seeing them fully clothed – those fuzzy sweaters make
the winter season my absolute favorite – I am manpig enough to
say I love them equally with as little clothing as possible. Water is
wet and wet ruins clothes, so I again give my respect to water for getting
women to shed their clothes and allow it to run all over them. Water
is like liquid pimp. Thank you, water, for once again providing me with
everything that’s right in the world.
Never has beauty been on display with varying degrees of wetness then
the entire James Bond series. Climbing onto boats, getting out of swimming
pools, stepping out of showers, etc. Watching a James Bond marathon can
be equated to watching the entire run of America’s Next Top Model,
but with more explosions and less crying. It all started in the original
film when Dr. No gave us Ursula Andress emerging from
the beaches of Crab Key to electrify the libidos of every male in attendance
and other women have been lining up to follow in Honey Ryder’s
naïve shoes ever since. Proving that natural bodies of water are
not needed for a sexy water scene, the fountain bit of La Dolce
Vita will forever remain one of the most memorable, as the quite
voluptuous Anita Ekberg splashes around the Fontana di Trevi with Marcello
Mastroianni. As for more modern influential examples, I know nothing
that got more teenagers aroused than Phoebe Cates exiting out of the
pool in Fast Times at Ridgemont High wearing that red
bikini. It’s a well known scene, but I feel it’s only another
decade away from being truly iconic. When I was growing up, The
Blue Lagoon was the film that really introduced me to cinematic
sexuality, although while Brooke Shields was magically babelicious, Christopher
Atkins’ hair almost qualifies it as a horror movie. I also hold
the unpopular (and completely biased) opinion that the Milla Jovovich
jizztastic Return to the Blue Lagoon is superior, but
regardless of that, no one can argue the beauty and yes, fetish angle,
of an island girl living in a beautiful tropical paradise with a beautiful
ocean all around her. Subtlety and sensuality isn’t your thing?
Go rent Into the Blue. It’s easily the most beautiful
underwater film I’ve seen in years and it’s made all the
better by the fact that the filmmakers actively try to get T&A in
nearly every shot possible. Gratuitous? You bet your sweet ass! But it’s
surprisingly well made, intelligent and engrossing. Besides, you know
you want to see Jessica Alba and Ashley Scott in as little gear as possible,
and Into the Blue provides just that.
So there you have it. A shopping list of water related films that you
should see and what you’re gonna get out of them. Not all of these
films are great, but they all have a great deal of something awesome
to offer, and if you can’t deal with these monsters, madness and
mega babes, you can always go back to an old standby for comfort…

Grow a pair, Mary, and check these flicks out!
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