When Disney TV animation first created it's "Disney Afternoon" lineup
in 1990, the concept was that every fall, a new series would be added
to the lineup, relegating the oldest series to the syndicated purgatory
of the Disney Channel. That first year, the two-hour programming block
consisted of The Gummi Bears, Duck Tales, Chip 'n' Dale's Rescue Rangers,
and the then brand-new Tale Spin. In the fall of 1991, Darkwing Duck
made it's debut on weekday afternoons.
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The colorful adventure series concerned itself with one Drake
Mallard (Disney voiceover vet Jim Cummings), seemingly mild-mannered
anthropomorphic duck bachelor and single dad to adopted daughter Gosalyn
(future Rugrats and Babe star Christine Cavanaugh). But underneath this
meek, suburbanite surface lays the secret identity of the caped crimefighter
Darkwing Duck, who emerges from the shadows to strike fear into the hearts
of evildoers armed with an arsenal of doodads and, even more scary, a
florid flood of purple prose which D.W. uses to narrate his own calamitous
crimefighting capers ("I am the terror that flaps in the night!
I am the winged scourge that peaks at your nightmares...!"). Along
with his trusty, accident-prone sidekick/pilot Launchpad McQuack (Terry
McGovern), Darkwing must defend his bustling adopted city of St. Canard
against the sinister schemes of vile villains such as Dr. Bushroot (Tino
Insana), Megavolt (Dan "Homer Simpson" Castellaneta), Quackerjack
(Michael Bell) and even his own mirror image Negaduck (Cummings again).
The references to Batman are obvious, but unlike previous Disney
Afternoon fare, which all at least made a nod towards "realism" in
their storytelling, Dawkwing Duck takes a sharp left turn into outright
spoofiness and Warner Bros.-inspired comic mayhem. Falling anvils and
other "cartooney" comic props abound, as do deliberately rotten
puns ("You're at wick's end, Doubloon!"), a decidedly lax adherence
to the general laws of physics (Darkwing has a body every bit as malleable
and fluid as the characters in any Bugs Bunny or Tom & Jerry short),
and plots that veer off into weird, non-sequitir sidetracks. Unfortunately,
the jokes don't always hit their marks as well for this now-thirtysomething
DVD reviewer, and thus the show's relentlessly surreal vibe grows wearisome
when viewing multiple episodes in a compacted timeframe. It doesn't help
that the show's animation is wildly inconsistent, ranging from near feature-quality
from the Japanese studios to embarassingly rubbery and off-model from
the cheaper Korean houses.
There are still highlights to be found, such as "Life, The Negaverse,
And Everything", wherein Darkwing travels to a nightmarish alternate
universe version of St, Canard, "Twin Beaks", a bizarre entry
that crossbreeeds a spoof of Twin Peaks (nothing like watching a 15-year-old
cartoon series to appreciate insanely dated cultural references) with
a sendup of Invasion Of The Body Snatchers, and "Dead Duck" with
Darkwing literally getting killed during a traffic accident(!) and returning
as a spirit to continue his crimefighting crusade. But these solid entries
are few and far-between. On the whole, Darkwing Duck really was the beginning
of the end of Disney's "golden" TV animation period of the
late 80's. It's agreeable enough fare for kids, and the occasional line
sneaks through and tickles the funny bone of the adult viewer (like Launchpad
screaming "Ahhhhhhh, lobster women!" Maybe you had to be there...),
but after the initial, pleasurable glow of nostalgia wore off about halfway
through the first of this set's three discs, it became more of a chore
than a pleasure to sit through. Let's get mediocre...
Presentation
The show's 1:33 full-frame aspect rato is reproduced here with
the same lack of care that has marred every previous "Disney Afternoon" DVD
set to date. Colors look fairly bright, but there are plenty of hairs
and dust speckles and other animation irregularities on display. The
2.0 English audio (also available in French) fares a little better, with
the show's appropriately annoying voice work and hyperactive sound F/X
cues reproduced with decent clarity. At least all of the episodes appear
to be unaltered, unlike the Rescue Rangers and Tale Spin sets, which
featured many edited-for-syndication episodes studded throughout.
Extras
Aside from the usual "sneak peek" menu pimping other Disney
product like Meet The Robinsons and the upcoming Jungle Book SE, there's
not a single, solitary additional feature. Apparently Disney thinks that
fans of the show should feel lucky that they're getting the show at all.
Lame.
The Bottom Line
Nostalgia aside, Darkwing Duck is fairly dreary going before
you even hit the halfway point of this 27-episode set. Kids should
enjoy it, but with so many superior comedy/adventure 'toons available
nowadays, The Masked Mallard's cape is beginning to seem rather threadbare.
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