Five pants. Seriously, that's all you need
to read here. I'm
giving it a full five pants. You need to go out and buy this
if you're a fan of the comic or a fan of animated action movies
in general.
Want to know more about why I'm giving it five pants? Want to
know if you can trust my judgement?
Well, you probably can't trust it when it comes to Hellboy. There
are only three things in this world that I am a full-on snivelling pansy fanboy
of when it comes to comics. They are Ghost Rider, Preacher and Hellboy. Yes
I know that there are other great comics out there and I welcome your
recommendations, however you should just know up front that all three
of these titles hit me deep. I've been an unapologetic fan
of them ever since reading the first few pages of the very first issues
I picked up.
Guillermo Del Toro's live action Hellboy movie was
one of the most faithful adaptations of any comic ever. He captured
the mood and the dark visuals of the comic and somehow managed
to bring them flawlessly to the screen. However, in many of the Hellboy comics,
our hero is tossed into situations and story arcs that find him wandering
from one monster or obstacle to the next. It's as if fate is playing
with him and that scenario has always been a personal favorite trait
of the Hellboy franchise for me.
My only complaint (and it's a small one) with the live-action movie
was that it didn't have that. Instead, there was
a definite purpose to every move that Hellboy and the Bureau for
Paranormal Research and Defense ( B.P.R.D.) made. In all of my
favorite Hellboy story arcs, our hero has no purpose other than to just
get out with his life and it's his reaction to those situations that
I love. The character's comic resignation in being thrust
into one gigantic fight after another makes him just as funny as
he is heroic. It's like he just wants to go home, have a beer
and a shower and watch some TV, but these damn monsters keep preventing
that. It's subtly written so that the character's attitude is
never fully verbally expressed, but after reading a title like The
Chained Coffin you can completely empathize with Hellboy.
The second thing I love about the Hellboy comics
is creator Mike Mignola's genuine love of folktales and how he winds
them into the Hellboy mythology. He pulls up some amazing stories
and connects them all in some way through the Hellboy character.
Hellboy: Sword of Storms gets a 5 pants rating
from me because it completely captures both of those parts of the
comic while at the same time building on the character dynamics the
live-action movie first instituted. At first, I was wary
of this new endeavour. After all, another big draw to the comic
has been Mike Mignola's art style and this... well just from the packaging
I could tell this looked more like a Disney production. Within
ten minutes though, it becomes apparent that while Mignola's style
works very well on the page, the new dynamic look of the animated
movie is perfect for this medium.
Hellboy: Sword of Storms follows Hellboy and the
BPRD as they go to check out the disappearance of a Japanese professor
and the attempted robbery of a samurai sword collector's prized sword. Soon,
Hellboy has been transported to an alternate world where ancient Japanese
legend is affecting life on planet Earth in a big way. Creative
Producers Del Toro and Mignola have taken a reasonably hands off approach
to this endeavour and it helps immensely. They focused mainly
on the story and left the visuals in the hands of Supervising Director
Tad Stones (an avowed Hellboy fan) and Director Phil
Weinstein.
In order to avoid spoilers I'll stop there but I will say that while
the story is original, they do wrap in one short piece from the Hellboy
comic (the story "Heads"). They also got all the actors
to repeat their roles as the voices for the animated adventures (with
the exception of the Abe Sapien character but there's a cool story behind
that you'll catch in the commentary). The only flaw in this at
all is that one character relates an adventure that has happened in
the comic but in the original story she wasn't even there and Hellboy
was barely out of his teens. That's just my inner Comic Book Guy
being nitpicky though. This movie fucking rocks!
Presentation
Mother of God does this thing look and sound good! First of
all, the animation is very well done. Pay close attention to the
killer way the animators handle the back-story. Also, knowing
that the comic uses so much black, fans will appreciate the animators’ attention
to keeping with that tradition while using the full color palette. The
shades of green in the "Heads" sequence are of particular
note as are the shading in the underwater scenes. As for the sound,
you get 5.1 surround sound in English and 2.0 in English and Spanish. The
score on this is fantastic and is really mixed like it's a live-action
movie instead of an animated feature. By that I mean the director
used it to elevate moods instead of throwing it in to fill space.
Extras
This is the place where this DVD really goes above and beyond. There
are so many good things on here. Literally none
of it is fluff. First up, we get To Hell And Back: How Mike
Mignola Created Hellboy. This alone will make this a must own
for fans. It delves into where the character came from, where
the stories came from and features interviews with Mignola and many
others who have watched the evolution of this character. It's
amazingly good.
A New Breed: Creating The New Hellboy takes a look at the animators
who brought this to life. Part of the contract stated that each
new medium incarnation of Hellboy must look a little different. How
they came up with something faithful to the comic, yet different is
the focus of this piece and it's very entertaining. For the record,
Mignola talks quite a bit about how much he loves this look.
Conquering Hellboy: The Actor's Role takes a look at the actors
recording their parts and features interviews where they breakdown why
they love their characters. This is also entertaining and well
worth your time.
A View From The Top: The "Heads" Sequence breaks down
the animation in this particular part of the film and contrasts it with
the panels from the comic. This is very cool in that you can see
how they mimiced individual panels while creating a new look and feel
at the same time.
Keepers of Hellboy - A Comic Con 2006 Panel Discussion is just what
it says it is and gives much insight to the making of this film. The
Audio Commentary featuring Creator Mike Mignola, Supervising Producer/Director
Tad Stones and Director Phil Weinstein is lively and engaging and is
good for more than one listen if you're a fan.
Hellboy Goes East is a collection of four short mini-documentaries
which address some of the origins of things in the story and also the
creation of the score. This is also available through a "Chase
the Fox" feature you can enable on the commentary track.
There are trailers on here also and among them are one for the next
Hellboy Animated feature Hellboy: Blood And
Iron and one for the Hellboy videogame that will release in
Fall of 2007. That sound you just heard... that was me pissing
myself in anticipation.
Finally there is the DVD-ROM material that will walk you through the
script and allow you to see storyboard sketches next to the film as
it plays out.
But wait... I failed to mention that my DVD came with an exclusive
32 page comic with an entirely unrelated adventure called "Phantom
Limbs". From what I understand those are only in a limited
number of these so make sure to run get yours quick.
The Bottom Line
Folks... I can't lie. I'm biased. I told you that up front. Still, Hellboy:
Sword of Storms now sits right next to the live-action movie
in a special place in my heart. This movie has a great story,
great voice acting, great animation and the DVD has a shitload of extras
that alone bump it up to "must have" status for fans. If
you've never seen Hellboy or read one of the comics, you'll still enjoy
this. If you are a fan of the franchise though, you absolutely
must put this in your collection.
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