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And
the Extras Are?
Audio commentary with Director
Oliver Stone –
Audio commentary with Military Advisor/Actor Dale Dye – Oliver Stone, love him or hate him, is passionate about filmmaking,
and doubly so of his own films. While critics may
love to tear him apart for poorly received recent films such
as Alexander,
few will negatively discuss Platoon. Good
reason for this, too. It’s pretty much as authentic
as war films get. Oliver was in Vietnam, so he certainly
had some experience going in, and he wrote it based on this
own experiences. In his commentary, you get a much deeper
perspective of this. He freely discusses events that happened,
how vets are perceived, how alliances were formed within the
platoons, and just how much of it is autobiographical. Dale
Dye’s track is absolutely just as valuable a listen.
While Stone spends most of his time on personal experience
and the details of the shoot, Dye is able to shift focus to
the intense training that the cast went through. How he contributed
both on and off the screen (he played Captain Harris) makes
for a large part of the discussion. Mostly though, his anecdotes
are about what happened on the set and every little thing
he did to add realism. A great commentary track is a rare
treat. Two on the same disc is amazing.
The remainder
of the extras are on disc 2
Never-Before-Seen Deleted Scenes with
optional commentary by Oliver Stone – This collection
of 11 deleted scenes is a huge treat for Platoon fans, and probably the biggest selling feature to people looking
to upgrade. Most of them aren’t anything special though.
Here’s a look at a few of the key deleted scenes:
“Chris’
First Time” – The first scene is an extended version
of the scene where Taylor talks to King when they are back
at camp following the ambush. This was originally where Taylor
first smoked weed.
“Love
and Hate” – This sequence, which has the whole
scene discussing the polar opposites that are Elias and Barnes
(love and hate, Yin and Yang). This entire sequence is brilliant
as you get to see the outlook of the grunts towards their
sergeants, as well as each other. This should have been left
in the movie.
“No
Regrets” – A short sequence that was removed from
Chris’ discussion with Elias. It could only have been
removed for time reasoning. It isn’t bad, but it doesn’t
add much we don’t already understand about Elias.
“Barnes
Lives” – It is an alternate ending and probably
the most important clip here. It changes the feel of the final
sequence, and Oliver’s thoughts on it are especially
intriguing because he thinks he should have used it.
Speaking
of that, Oliver’s thoughts on these are really the reason
to watch most of them. The commentary he provides on these
scenes is just as insightful as his commentary for the film.
Next up are the featurettes, divided into two sections.
Flashback
to Platoon: Snapshot in Time: 1967-1968 – (19:13). This featurette deals less with the film
and more with the Vietnam conflict. Specifically, it focused
on the years that Platoon took place. Special
mention is made to the Tet Offensive, how we reacted to it
and how it changed the tides of the war.
It’s a fantastic historical look back with many historians
speculating on what happened, as well as the should-of/could-ofs
that might have been.
Creating
the ‘Nam - (12:02). The behind-the-scenes crew
from the film discusses in detail the things that they did
to replicate Vietnam in the Philippines during the shooting
of this film. It’s absolutely amazing the attention
to detail that went into it. People actually attempted to
move into the villages they built for the film. The stories
the crew have show the grueling conditions everyone had to
work under. You can’t walk away from this feature unimpressed.
Raw
Wounds: The Legacy of Platoon - (17:17). Again, the cast
and crew take a look back at the reception that Platoon received after it was released. From the critics to the mixed
reactions from the vets, this documentary covers it all. It
is interesting hearing the vets' reactions, especially since
every platoon had different experiences. There is a lot of
high-fiving mentality, but I think it is deserved. Platoon has had a huge impact on our perception of war and it has
impacted the realism with which war is depicted in almost
every war film made since.
The
second section is simply labeled “Documentaries.”
One
War, Many Stories - (25:30). This is absolutely my favorite
of all the documentaries. It’s an open interview with
a selection of Vietnam veterans after a screening of Platoon.
In many cases, this is the first time that these veterans
reveal their own personal stories. They admit that they haven’t
even told their families and only felt compelled to in the
presence of fellow vets. Stone is also on hand to talk about
some of his own personal stories. It really drives home that
this is real, and this did happen. The movie, as difficult
as it was to watch, was a movie. The reality was
just as cruel, and often times much, much worse. If you only
have time to watch one feature amongst all of the great features
on this set – please – make it this one.
A Tour
of the Inferno: Revisiting Platoon - (53:02). This documentary
was on the previous MGM Special Edition (and the Artisan release,
I believe), and while it is a solid documentary, it is somewhat
redundant at this point. Still, it is nice to see this included
for completist purposes. Basically it is all encompassing.
Casting and other aspects of production are discussed, but
there isn’t much info not already covered elsewhere.
Preparing
for ‘Nam - (6:35). Much shorter than the other
documentaries on this disc, this is basically vets talking
about what it took to prepare for Vietnam, Boot Camp, military
training, etc. Definitely interesting, but there isn’t
much to do with the film at all.
Photo
Galleries - There are two photo galleries included with
this set. The first is labeled “Behind the Scenes”
and has 28 photos from the set. The second, labeled “Poster
Gallery” has four posters. They can be viewed together.
TV
Spots - Three TV spots are included here. They are…
“Action” (0:32), “Critical Acclaim”
(0:32), and “The Director” (0:31). You can probably
figure out what demographic each of these is marketing to.
Theatrical
Trailer – (1:50). I’ve always loved the Platoon trailer. It, and for some reason the one for Rocky
IV, are the first trailers I actually remember seeing
on the big screen. Twenty years later, and having seen the
film many more times than that, I still respect the trailer.
It seems to perfectly capture the good and bad of war in under
two minutes.
Trailer
Gallery - Rounding out Disc 2 is a trailer gallery of
other Sony DVDs. The James Bond Ultimate Collection, The Great Escape (Special Edition), Windtalkers (Director’s Edition), The Best of World War
II Movies, The Patriot (Extended
Cut), Raging Bull (Collector’s Edition)
and Black Hawk Down (Extended Cut). Yay for
promos! Considering the impressive amount of work that has
gone into this release, I will let the self-promotion slide.
Finally,
there is a very cool booklet/insert. It isn’t the same
as the old MGM release’s either. It more production
notes – quite a bit more - with some of the same material
ported over. Which brings me to this: For anyone who owns
the MGM Special Edition and doesn’t want to bother checking, everything has been moved over. There is nothing
left on the old DVD that isn’t here, and there is a
hell of a lot more. Studios take note: This is double-dipping
(or quadruple-dipping) done right.
Easter
Egg Note: I found three Easter Eggs. I will post the info
on how to retrieve them in the Holla thread, which you can
view by clicking the button below.
The
Bottom Line
Platoon is probably
my favorite serious movie of all time. I’ve never been
in the military, and I wasn’t alive during the Vietnam
conflict. In fact, it wasn’t until my 20s that I spent
any considerable amount of time with a veteran. Still, the
film really stands out to me as what war is all about; hard
reality, strong emotions, and a huge amount of misunderstanding.
Films that personally affect and strike a chord with me are
few and far between. Platoon is one of those
films. I tear up every time I see it, and I never tire of
it.
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