Hey, did you hear? Street Trash is out on DVD! Yeah! After literally 20 years of waiting,
Synapse Films has released Street Trash on
DVD! Ring the bells! Summon the dancers! Let the hobo jug
wine flow freely! Bring forth the virgin sacrifice!
Okay, that might seem a little extreme, but it was a joy
to hear that Synapse Films had released Street Trash on DVD. While the new barebones release might come as a disappointment
to a few who haven’t been monitoring the release of
the still-planned, 2 disc special edition, I still consider
it a rather nice gesture that Synapse has chosen to release
the film on its own.
Street
Trash is a painfully easy film to summarize. Street
Trash is the cinematic equivalent of a late-period
Tom Waits album: Horrible people doing horrible things to
other horrible people. This movie revels in its own filth
much like a Troma picture, or a John Waters film. However
there’s little to no joy to be found in Street
Trash. While some might consider this fact a strike
against itself, the film presents the characters and events
with something that seems completely bizarre and out-of-place
for a film like this: Character development. In fact, at the
center of Street Trash’s grime-covered
heart, it’s simply a character study rather than simply
a gooey explode-a-thon. Though a few of those are included
too.
Our story begins with Freddy, one of our “protagonists”
who is busy outrunning various bystanders and winning Torgo
look-alike contests. He manages to escape into a liquor store,
where the owner has uncovered a private stock of Viper, which
he sells to the homeless for a buck a bottle. He exercises
his five-finger discount, but ends
up getting his own stolen goods stolen by Paulie, who promptly
takes a swig and disintegrates. This prompts a local investigation
from the NYPD, and all leads point to Bronson, the homeless
Vietnam veteran who rules a small shantytown located in a
car impound lot where Freddy and his brother Kevin live.
What follows is a collection of vignettes that explore the
lives of the homeless and their interaction with the higher
class. While the film shows the homeless in many ridiculous
and depraved situations, it gives equal time to the “normal”
people, who turn out to be just as sick and vile as their
hobo counterparts. While I’ve said that the film is
devoid of joy, that doesn’t mean the film isn’t
comedic; the tone is simply pitch black
and revels in how uncomfortable the situations are. From non-consensual
hobo gangbangs, to necrophilia, to games of penis keep-away,
to people exploding in a bloody pulp, you’re more likely
to laugh out of nervousness rather than having a belly laugh
at the expense of others.
There are many surprises in the film. This isn’t just
some cheap exploitation film made for about 10 dollars on
16mm film stock, it’s a professionally impressive and
innovative film that could be compared to something like Evil
Dead II. The film has a constant ability to keep the camera
moving and keep the overall pace quick, and while
one might hesitate to call the acting “good,”
every character is absolutely believable. This film isn’t
just splatter, it’s artful, well thought out splatter.
One of the more interesting aspects of the film is how the
marketing centerpiece of the film (exploding bodies) seems
to mean very little to the overall storyline. Some of the
more impatient gore fanatics might come out of the film wondering
what the big deal is about, but the more attentive and patient
genre fan should come away fairly satisfied.
Video
It’s no secret that
Synapse Films has spent quite a long time perfecting this
transfer, and I have to say it was probably worth the wait.
With virtually no print damage (a fleck here and there, and
a single, faint line for the span of about 10 seconds) and
little to no grain, the quality of the print is so good, it
makes you want to give Synapse a hug and a pat on the head.
Audio
Sadly, the audio quality doesn’t
hold up as well. That’s not to say that the Dolby Digital
Mono audio track isn’t sufficient enough, but there
are times when dialogue gets a bit muddled (sadly, no subtitles
are included, which can leave you in the dark from time to
time). I can only assume that Synapse did what they could
with the original materials, seeing as how much time they’ve
put into the project, but I certainly had to replay a few
scenes to catch what was being said.
Extras
This
barebones release comes with a theatrical trailer. Seemingly
to make up for the lack of extras, Synapse has included Tenafly
Viper label stickers. Slap these onto your flask and feel
better about your alcoholism.
Parting
Thoughts
I can’t suggest this enough if
you’re a splatter fan with patience, or more importantly
a fan of uncomfortable comedy. If you’re a fan of things
like Strangers With Candy, The League
of Gentlemen, or Freeway, this should
plaster a smile on your face from beginning to end. Though
the Special Edition 2-disc set is coming in the future, you
can find this disc for around $15, so it wouldn’t be
too big of a loss to pick this up.
|