DVD In My Pants
DIMP Contests

Celebrates Blockbusters!
by Eric San Juan
May 22-26, 2006

Everyone loves a good summer blockbuster. Who but the most soul dead can avoid getting caught up in the swollen hype, sprawling billboards and ceaseless action of summer’s biggest films? Even if you’re not a fan of such gloriously guilty pleasure cinema, it’s tough not to get dragged into following the make-or-break nature of the summer blockbuster season. These are films into which a lot of money is invested. A huge commercial success can keep a studio solvent and launch top dollar careers (do you think Peter Jackson could have made the wildly expensive King Kong were it not for the smash hit Lord of the Rings films?), creating names that become legend. By contrast, a big commercial flop can dash reputations to pieces, and in some cases even put a studio under. When a blockbuster fails, it can only fail BIG.

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20 Years Of Summer Blockbusters
by Lex M
May 23, 2006

What’s this, you ask? Twenty years of summer blockbusters? But we all know that the summer blockbuster phenomenon started unexpectedly with the release of Jaws in 1975, and was perfected two years later with the Earth-shattering arrival of Star Wars. Shouldn’t it be “31 Years of Summer Blockbusters”? Or if nothing else, shouldn’t we start with the legendary summer of 1982, when any given week would see the release of such true classics as E.T., Fast Times At Ridgemont High, The Thing, Blade Runner, And Jekyll And Hyde... Together Again?

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DIMP Plays: Block Busters Sink Or Swim
by Eric San Juan
May 25, 2006

Memorial Day Weekend is here, and with it the start of the summer blockbuster season. Big movies. Big crowds. And highly over inflated expectations. This summer it is (once again), sequel, sequel, sequel, with superheroes and pirates taking center stage in the race for your theater going dollar. Which blockbusters will sink, destined to be remembered as flops? Which presumed mega-hits will live up to the hype and expectations, swimming to memorable summer classic status? The staff weighs in on what big hits they think will make the cut and which films will get the axe from viewers.

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Aliens - Collectors Edition
by Comedian
May 2006

I had one mission in the summer of 1986. One all encompassing goal so totally consuming that for a brief period of time I even forgot about naked women. That pursuit, that goal, that Raison D’Etre, was to see Aliens.

I tried three or four times to sneak into a theater, and even had a friend’s mother buy us tickets, but was never able to get in since it was an R rated movie and I was only 14. Finally, I pestered my parents to the point of exhaustion. They acquiesced to my whimpering, took pity on me and we went to see it.

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Indiana Jones And The Temple Of Doom
by Eric San Juan
May 2006

Somewhere along the line, Indiana Jones And The Temple Of Doom became the Indiana Jones film fans love to hate. Or at least the one the fans love to somewhat dislike.

It’s true, Stephen Spielberg had a lot to live up to after Raiders Of The Lost Ark, which was pure distilled action/adventure film perfection and iconic from the first moment it hit the screen. As a kid, I wanted to be Indiana Jones. I wanted to dodge the nightmares of Rube Goldberg and explore dank caves and have totally wild chases. Indiana Jones was so awww shucks cool, it never really occurred to me that he was the same guy who was Han Solo in Star Wars and The Empire Strikes Back. He was just Indiana. And man was he awesome.

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Mission: Impossible
(Special Collector’s Edition)
by Shawn McLoughlin
May 2006

The prospect of making a theatrical film out of a now-dated television series may have been daunting, and possibly intriguing, to potential script-writers. It had been over 23 years from the time the original Mission: Impossible left the television airwaves, and nearly a decade since a failed attempt to re-launch this Cold War-era series when even the ramifications of that war were all but non-existent. Thankfully, it landed in competent hands that realized the difference between what is relevant and what is cool, but more importantly, how to combine them.

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Star Wars: The Empire Strikes Back
by Eric San Juan
May 2006

Let’s cut right to the chase: I fall into the camp that declares The Empire Strikes Back the best of the Star Wars films.

Which means I also fall into the camp of people who actually have an opinion regarding what the best Star Wars film is.

Which means some of you are probably surfing off to another page even as I type this.

I was seven years old when Star Wars: The Empire Strikes Back hit the theaters. I can remember it vividly. Just a few years prior, my aunt had taken me to see the original Star Wars at a little single-screen theater on Main Street called the Rialto. It’s an Indian movie theater now, but at the time it had all the fantastic stuff. I saw Nazi faces melt there, and the guy from the shark movie get sunburn at night and Elliot find an alien in his yard. It was two blocks from my house. I loved it.

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Jurassic Park Adventure Pack
by John Felix
May 2006

Steven Spielberg. Creator of the modern day blockbuster. Well regarded as a master of cinema in both light fare and serious topics. Cynical Oscar-hound that has to make a serious film every five years to make up for his previous, goofy action flicks? Possibly. A pretty good director with daddy issues? Most definitely. But this review isn’t to discuss my own personal conflicting feelings for Spielberg’s output (which can be described as a love/hate/love/hate/love/love/hate relationship), we’re here to discuss the Jurassic Park films, all which have been released in a handy box set.

Because the world needed one more Jurassic Park release – at least, until the HD-DVD and Blu-Ray discs come out.

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