The following conversation actually took
place. I was at work. I called home to see how
my wife, Karen, was doing.
Karen: Hey, you got a package today from DIMP. Do
you want me to open it and see what it is?
Cary: Sure.
Karen: It’s Danger
Mouse – The
Final Seasons.
Cary: Fuck.
You
see, Danger Mouse was something I completely missed. I
remember sometime back in high school a friend tried to show
me a couple of episodes on video tape but I just wasn’t
into it. It was 1986 and I was much more concerned with
getting laid.
Danger Mouse had nothing to offer me in that regard and
so I ignored it. When my wife said I had a box set of
them sitting at home for my review, I pictured hours of my
life drifting away while I watched a shitty cartoon, all
the while gritting my teeth and slugging back Jack Daniels
in an effort to ease the pain.
I couldn’t have been more wrong. Danger
Mouse is as intelligent, humorous and fun as any
animated show on television today. It may not speak
to current issues like South Park does.
It may not be as culturally significant to American audiences
as The Simpsons is. However, the humor
works for adults and children alike and, like those shows,
many of the laughs are dialogue driven. It’s not
all about violence and mayhem a la Tom and Jerry - not that there’s anything wrong with that.
More seasoned fans of British comedy will find themselves
laughing out loud pretty regularly. The show’s
sense of humor owes just as much to Abbott and Costello as
it does to Monty Python. Danger Mouse and his cohorts
speak in dialects and accents that are extremely British (a
potential problem for younger viewers), but my four year old
liked watching them with me even though she didn’t understand
a lot of what was going on.
The
premise is simple. Danger Mouse is a secret agent.
He’s accompanied by his sidekick, Penfold, who is a
mole with eyesight only slightly better than Mr. Magoo’s.
Penfold is not only blind, but possibly the biggest pussy
ever to grace the small screen. That said, he's also
the funniest part of any given episode.
For example, when a fish eats an important document in Penfold’s
possession, the bad guys capture and torture him in hopes
of making him talk. Prior to anyone laying a hand on
him, Penfold immediately tells everyone that a fish ate the
document. No one believes him and thus begins the torture
scenarios, each a lot of fun, where no matter how loud or
to who he tells his story to, no one believes him. Even
Danger Mouse commends him on his bravery.
It
never gets gruesome or even controversial like, say, South
Park would, but Penfold’s protestations are
absolutely hilarious.
While most episodes feature a new “enemy”, there
are some recurring ones. My first clue that watching Danger Mouse – The Final Seasons was
going to be a pleasant experience came early in the first
episode when Baron Von Greenback (the Blofeld to Danger Mouse’s
Bond) announced his plan to pave over Europe’s most
visited tourist attractions so that people would be forced
to visit his museum.
The joke?
The
museum is dedicated to showing off Barry Manilow record sleeves.
If that makes you smile, you should watch at least a couple
of these episodes.
Script-wise, the two strongest episodes are Turn of the
Tide and Where There’s A Well There’s
A Way. The former finds civilization underwater
due to a switch in the ocean tides. It features long
stretches of “Who’s on First” style interactions
between Penfold and Danger Mouse that had me rolling. Where There’s A Well There’s A Way concerns
the search for Merlin’s magic ink well. Here,
the comedy is focused on Penfold’s lack of balls when
confronting old castles, bats and evil magicians. Both
of these episodes have insane amounts of jokes per minute.
Overall,
though, my biggest complaint is that the series is somewhat
hit and miss. Though the majority of episodes are heavy
on the funny, there are more than a few clunkers too, especially
toward the end of the series.
As for the animation, it’s a mixed blessing. Danger Mouse is hand animated and it’s
pretty cool stuff. Some scenes incorporate photographic
cut-outs a la Terry Gilliam’s Monty Python work.
The motion is sometimes jerky, but it’s never distracting.
However, the transfer on this release is horrendous.
Presentation
I’m not sure how the originals looked on TV, but there
is a heavily grainy quality to the Danger Mouse episodes
on these DVDs. I
had written it off as a byproduct of the hand drawn animation
until I watched the Count Duckula bonus feature, which
was crystal clear. The sound is nothing to rave about
either. It’s there. You can hear it. That’s
all.
Extras
If extras were food, this would be the equivalent of Chinese
take-out. It looks like a lot, but you’ll be hungry
fifteen minutes later.
First
up, there is a bonus episode of Count Duckula. This
episode looks much better than the Danger
Mouse episodes
and it does contain my favorite joke of the entire set (a
joke about the Transylvanian Clamp), but the writing is mostly
sub par.
After that is something called Alternative Theme Song
Options. This contains four instrumentals that
were initially pitched for consideration as the basis for
the theme song, but were used for background music instead. It’s
worthless. Consider that the actual theme song, as
bad as it is (and it’s really, really bad), is better
than these, and you’ll soon see that music was not the
series’ strong suit.
Then there’s Danger Mouse Theme Song Karaoke. Yep,
it’s the karaoke version of the theme song. It
lasts all of twenty seconds.
Finally, there are Character
Descriptions, which
are just that. If you take out the Count Duckula episode,
you have approximately five minutes worth of extras.
The Bottom Line
"He’s the greatest / He’s
fantastic / Wherever there is danger he’ll be there."
Good God above, I’ve got that song stuck in my head!!! I
give Danger Mouse – The Final Seasons a
solid three pants for content. The lack of noteworthy
extras and the poor transfer hold it back from a four. Still,
in a world of crappy Saturday morning cartoons, you could
do much worse than getting this set for your kids or for
yourself.
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