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The original Night Of The Living Dead (1968)... even if you haven’t seen it
before, you’ve at least heard of it. And if you haven’t seen
it, you should really consider giving up that particular religion of
yours. Admit it: you’ve been doubting that whole belief thing for
quite some time, haven’t you? Look, it’s okay if you watch
a HORROR MOVIE once in a while… in fact, it’s healthy for
your mind (that whole conquering fear thing like Tom Hanks pointed out in He
Knows You’re Alone). It’s time to get out, try some
twenty year-old scotch, light a menthol cigarette, and join society, dammit!
Face it: there is nothing else I or anyone can say about Night
Of The Living Dead (1968) that has not already been said -
except that it is the quintessential flesh-eating zombie movie that
started it all… not to mention it’s fucking awesome.
Oh, wait, all of that has been said before.
So then, rather than discussing the now-epic film that spawned four
official sequels (if you count Diary Of The Dead) of
its own along with several unrelated sequels, remakes, spin-offs, and
rip-offs, let’s talk about this all-new 40th Anniversary
Edition.
First of all: how does it look and sound?
Presentation
Not a whole lot… at least not in the Audio/Video department: the
film is presented in its original 1.33:1 Open Matte Full Frame presentation
and the picture definitely looks good - especially when I think about
the old VHS print I used to have and even more so if you compare it to
one of the countless dupes that are out there (I’m excluding the
Elite Entertainment release, of course). This is probably the best
the film will ever look.
Sound-wise, we have a Mono Stereo soundtrack which sounds fab-a-roo. Optional
English (SDH) an Spanish subtitles are included.
I should also like to take this opportunity to point out that the back
cover is somewhat inaccurate: not only does it say that the main feature
has a 5.1 Dolby Digital Surround Sound audio track (wrong!), but it also
reads (and I quote) “Widescreen Version: Presented in a format
preserving the 1.33:1 Aspect Ratio of its original theatrical exhibition.” For
those of you who don’t know what that means: widescreen can not be
1.33:1. 1.33:1 is considered to be the standard format. Full
Frame. The square-looking box. No black bars at the top and
bottom of the screen. And yet it says “Widescreen.” (sigh) Ironically,
the name of the company that designed and manufactured this cover art
for The Weinstein Company is called Genius Products!
Now then, probably the biggest question on everyone’s mind is:
are the “All-New Bonus Features” really all-that-new?
Extras
No… but they are good. There two Audio Commentaries
included on this disc are the exact same commentaries that were included
on the two-previously issued Elite Entertainment releases. If you’ve
heard them, you know how fun they are. Several other Special Features
bear the familiar Recycled Products emblem: such as the Original
Theatrical Trailer (1:49); Ben Speaks: The Last Interview With Duane
Jones (16:46) - an intimate, audio-only recording from the film’s
hero that is set to still images from the film; and the last Seen-It! Extra
is the Original Screenplay in .PDF format (DVD-ROM Feature).
And now, finally, the moment you’ve all been waiting for
(and probably skipped ahead to): “all-new” Bonus
Features!!
One For The Fire: The Legacy Of Night Of The Living
Dead (83:48) is the gold winner for this release and is a wonderful
feature-length documentary which opens up with Russell Streiner (complete
with driving gloves) and Judith O’Dea returning to the famed Evans
City Cemetery 40 years later (the beginning shots of this docu closely
match - if not exactly match - the original opening shots in
the movie) and goes on to interview or explore the lives (and in some
cases, the deaths) of principal cast and crew members (even some non-cast/crew
folks show up - such as Bill Moseley, Greg Nicotero and Alice Cooper
to name a few). Everyone gets their chance to tell their side
of the story… with the exception (oddly enough) of co-star Judith
Ridley (Judy) - who is not even mentioned once (did she really
piss someone off or what?). As great as the documentary is, I
felt that there wasn’t quite enough about Keith Wayne (Romero
is the only one who talks about him - and his description of him is
redundant at best), the actor who played Tom (who committed suicide
in 1995). The documentary also marks the last interview of Karl
Hardman (Harry Cooper), who passed away shortly before the docu was
finished. The footage of the late actor shows him to be in ill-health
and it is nothing but tear-jerking when he starts to discuss his fondness
of Duane Jones. Karl also gets the last word in the famous Basement
Debate.
Also new is Speak Of The Dead: A Conversation With George A. Romero (15:48)
a Q&A Session with George recorded at the Bloor Cinema in Toronto,
Canada with Stuart Andrews of Rue Morgue Radio asking the questions. Both
this Featurette and the afore-mentioned Documentary are presented in
anamorphic widescreen with optional English Subtitles.
The last new Extra (and the jury’s still out as to the “new” content
here) is a Still Gallery. The disc opens with (skipable) non-anamorphic
Trailers for Diary Of The Dead, Inside, Automaton
Transfusion (the worst zombie film to date!), Rob Zombie’s
overrated remake of Halloween (2007), and WDZ (a
title that many people will have trouble with either pronouncing or displaying
on a marquee).
The Bottom Line
At least it isn’t that appalling 30th Anniversary Edition from
Anchor Bay.
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