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I forgot how much I enjoyed Sole Survivor (1983). I remember
renting the VHS release (from good ol’ Vestron Video) way back in the 80s
and, having viewed it, admiring how cool it was for the very same reason it still
holds its own today: atmosphere. And humor. OK, those are two reasons
(I went to public school, alright?), but they are the two reasons Sole
Survivor still kicks ass a quarter-of-a-century later: Atmosphere and humor.
Unfortunately, as I listened to the Audio Commentary, I was a bit
shocked to hear that the original distributor of the film cut a lot
of the humor out (and it’s still missing, BTW), so I can only imagine what
the movie was initially like (the director, Thom Eberhardt, later
directed the cult classic Night Of The Comet - which
should give you an idea of what kind of humor we’re talking
about here)!
Despite all that, though, the low-budget Sole Survivor
(1983) is a captivating and well-made thriller.
Karla Davis (co-producer Caren L. Larkey), an aging, washed-up
actress preparing to shoot a new coffee advertisement, violently
wakes from a dream one night in which horrific plane crash leaves
but one survivor: commercial producer Denise Watson. Karla
tries to get a call through to Denise to warn her not to fly, but
the message doesn’t make its way to Denise since everyone thinks
Karla’s loco and trying to kiss up to her new employer.
Alas, she flies.
Everyone else dies.
As Denise (Anita Skinner) copes with Survivor Syndrome,
she finds herself watched by strange, lifeless-looking people and
soon it becomes quite clear that Death doesn’t like to lose
a game of chess. Look, if you’ve seen Carnival
Of Souls (the real Carnival Of Souls,
not that “Wes Craven Presents” remake shit!),
there’s a fifty-fifty chance you’re smart enough to figure
out where this whole plot is going so why should I even bother explaining
it to you? I will add that this story is different
from Souls and that it is definitely not a copycat
film.
Now, if you want to talk about copycat, let’s talk about Final
Destination (2000). Some say “No… ”,
others say “Oh, Hell, yes!” Me? I
side with that latter group. Granted, there are differences
(much like there are when you compare Sole to Souls),
but there are too many similarities for me to dismiss it as coincidence
(that, and there’s that whole Hollywood has run out of ideas
thing). Code Red, the distributors of this movie on DVD, made
damn sure to print “Before there was Final
Destination, there was Sole Survivor” on
the front and back of the cover (tacky, guys) in an obvious
attempt to get the kids to buy it (and I wish you all the luck in
the world trying to get kids to buy something that’s older
than them).
That said, one of the many things I really have to give this movie
credit for is it’s ingenious, low-budget way of depicting the
accident (good thing there are air traffic controllers) - and is
it just me, or does the crash site in Intacto remind
anyone else of Karla’s flash-forward footage of the wreckage
in this film?
Oh, BTW, Code Red: fire your prufe-reeder (I refer to your
Ideas/Opinions Expressed in Interviews/Commentary disclaimer).
Presentation:
Well, it may have been nearly twenty years since I last
saw the film, but I must say Code Red’s video presentation
on Sole Survivor (1983) looks positively splendid! The
color levels look crisp and clear (the reds are red and
the night footage is visible - always a step up from a Vestron
Video print!) and the Mono Stereo sound comes through without a hitch.
No subs, sorry.
Extras:
Since Mr. Eberhardt and Ms. Skinner were both too busy
(?) to come into the recording booth one day (or they weren’t
offered enough money, one or the other), the Audio Commentary for Sole
Survivor (1983) features co-star/co-producer Caren Larkey
and co-producer Sal Romeo. Moderated by film historian Jeff
McKay and features guest director Jeff Burr (Leatherface:
Texas Chainsaw Massacre III), this Commentary is a bit of
a bore: most of it is Q&A from McKay and Burr with Larkey and
Romeo usually responding with a long, drawn out “Ummm,
I don’t know… ”.
Caren also provides an Introduction to the film and pairs up with
Sal for an Interview (7:53). Everything you see in the Interview
can be heard in the Commentary. Also included are a scratched-up,
faded red band Trailer (1:50) complete with an extra added “creature” shot
thrown in by the distributor, and five additional Trailers for upcoming
Code Red releases: The Unseen, The Farmer, The
Dead Pit, Silent Scream, and Human
Experiments. The reverse side of the DVD sleeve include
some Liner Notes from author Stephen Thrower.
The Bottom Line:
Any movie featuring a coroner that is even more negative
and pessimistic than I am is worth it.
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